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- Tone2 Icarus - Future Elements - Tone2 Icarus - Detonator - Tone2 Icarus - EDM & Trance‘ElectraX Future Bass’ by Audio Masters is the first ever soundest for Electra2 by Tone2, designed specifically for producers of Future House, Deep House, EDM and more. Inside you will find a vast amount of huge hard hitting & crowd rocking sounds, ready to smash the clubs around the world. This product was developed by a team of sound designers and features a sonic array of sounds, including bass, leads, plucks, efx and more. Its easy to find the perfect sound, that will make your track stand out – just load into your Electra2 synthesiser and start producing cutting edge tracks! These sounds were carefully designed for optimal depth, width and punch.
Shout out to moepresetsstore one of our newest sound designers for dropping this dope. ITone2 Saurus 1.0 VSTi x86 x64 DJ Vagan Software -. Tone2 gladiator vsti v2.2 free download, tone2 gladiator vst, tone2 gladiator vsti v2.2 team air. - Tone2 Electra2 - Factory content - Tone2 Icarus - Electronix - Tone2 Electra2 - Rompler - Tone2 Nemesis - I delivered presets for the following soundbanks.
You will also find a collection of 55 waveforms, recorded from a selection of different analogue synthesisers. These waveforms are ready to be loaded in your Electra2 synthesiser to help you design different variations of the included presets by using resampling and re-synthesis techniques. This product was developed by a team of sound designers and features a.Tone2 Virtual Instruments g&252 nstig bei Thomann, Europas 1 f&252 r Musike New Free ElectraX & Electra2 Presets Pack with 37 exclusive dope trap presets for the Tone2 Electra VST series.
But the MBox, with its quirky monolith form factor, bundled ProTools LE software and “designed by Focusrite” preamps gave aspiring producers a complete turnkey solution – all at the end of a single USB cable.(“Remember me?” The original Digidesign MBox played a huge part in creating the “All In One” converter market.)But in the decades since, this ‘prosumer’ category has literally exploded to dozens of manufacturers producing a myriad of all-in-one interfaces, packed to the gills with extras like mic preamps, hardware inserts, monitor control, headphone amps and expandability via optical cables. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. ALL THRILLS.Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market.
In fact, those “features” are really just getting in the way of what you really need, which is more i/o. Many prefer both.Putting together a project studio with a significant amount of outboard gear can leave you pining for the converters of yore, those drab boxes without the needless perks. Sure, some of them have been recreated as plug-ins and while that’s all well and good, sometimes only the real thing will do(*).*No, I am not trying to start an in-the-box vs. That restored Telefunken V676A preamp, that old Eventide h949 that somehow keeps running, that compressor, that preamp, that processor, that eq… you get the idea. Some of us left the grind and politics of the beleaguered “big league” studio – and we still have one or several racks of gear that we’ve come to rely on over the years. …almost.Not everyone with a project studio is fresh off the proverbial turnip truck.
But very, very few address the needs of the studio with lots of XLR-sized mouths to feed.Then in 2019, PreSonus added the Quantum 4848 at a head-turning price of $1499.95. All bringing handsome desktop and rack-mount packages to market in an endless variety of configurations. They’re not alone in this range of features and prices, of course – with bigs like Focusrite, Antelope, Universal Audio, Apogee, etc. PreSonus Takes A Quantum Leap(The PreSonus Quantum Range – Baby Bear, Mama Bear and Big Poppa Bear)First introduced in 2017, the Quantum range from PreSonus is designed to get pro results while still being priced attractively to newcomers and enthusiasts.
Users can stack up to four Quantum units for a 192-input configuration (if you need that much for your home studio, you don’t need a bigger interface, you need an intervention). As the name might suggest, you get 48 channels up and down (32 analog and up to 16 more via adat optical) via a single Thunderbolt 2 connection. Gone are the front panel mic preamps, the headphone outputs, the guitar inputs, the monitor control… leaving nothing but a row of multicolor LEDS, a power button and a sample rate indicatorTo be sure, the Quantum 4848 is here to do one job – and do it well.
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Additionally, there are included versions of several plug-ins from the likes of Lexicon, Klanghelm and a sweet bundle from PlugIn Alliance (Maag Audio, Brainworx, SPL and more). Okay, it’s not actually in the box, but it is free. If you’ve been on the fence about giving this very impressive DAW a try (we’re always complaining about our existing ones, aren’t we?) you’ve got the full-blown application right in the box. The professional edition of PreSonus Studio One is included.)And if this for some reason doesn’t seem like an amazing deal, let’s not forget PreSonus includes a license to their acclaimed Studio One Professional workstation software. Plus with 32 analog outs, you have more than enough to delve into the world of summing amplifiers or that big old analog desk you’ve been dreaming of.(No “lite versions” here.
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32 channels analog, plus up to another 16 via Adat optical.)The rear panel also provides the four optical connections (allowing 16 channels at 48kHz, 8 at 96kHz and 4 at 192kHz), two standard 110ohm BNC word clock connectors and a small jack for the external ‘line lump’ power supply. Yes, you can most certainly pay more for Mogami and the like, but given the very short cable runs, I decided to go with the budget option (frankly, this was not my first Seismic Audio purchase, and I have found them to be reliably solid performers).(Now THAT’s a lot of I/O. I opted to test with six DB25-to-XLR cables from Seismic Audio. My computer, a 2018 Mac Mini (6-core 3.2gHz i7, 32GB RAM, still running Mojave as of press time) needed a single restart after installation and the two have been the bestest of pals since.With the DB25 connectors on the rear panel, wiring in all of your outboard gear takes a bit more planning at the beginning, as you’ll need to determine what kinds of connections you’ll want to run off each of the 8-channel input and output ‘banks’. Setting UpGetting the Quantum 4848 situated was as simple as connecting a single Thunderbolt 2 cable, hopping online to get the software manager app and a quick check for any firmware updates (PreSonus is seem really on-the-ball when it comes to keeping this current).
But DAW choice aside, once you’re set up with all the appropriate routing, the Quantum’s handsome amount of ins and outs put the world back at your feet. Using Studio One’s Pipeline XT plug-in, externally routed hardware is a simple drag-and-drop affair the same as it would be for any other plug-in, with no need to fidget with sample-delays to compensate. Immediately upon launching I was asked if the Quantum 4848 was in charge now, I replied ‘yes’ and that was that.It bears mentioning that, as you’d expect, Studio One integrates almost transparently with the Quantum series. Al., I fired up my DAW-of-choice, Steinberg Cubase Pro 10.5.
Put another way, it’s not “negligible”, it’s basically non-existent. In physical acoustics parlance, that’s like hearing the original source from about a foot away. At 96kHz and a 64 sample hardware buffer, the signal can go round trip from source to DAW to playback with just a skoch north of a single millisecond (1.1ms). A Better Kind Of BufferBetween Thunderbolt 2’s quick-footed 20mbps data speeds and the wonderful lack of an intermediary “mix control” software layer, seeing Cubase Pro’s latency times in setup mode made me do a triple-take. And while it’s true, the Apogees are most definitely not the newest converter technology, I have never once felt an urge to switch, even after demo-ing the Symphony MK2 for several weeks (I actually preferred the older converters in a blind shootout)). Just For ReferenceMy previous setup prior to installing the Quantum was a Focusrite Clarett 8PreX with the venerable Apogee AD and DA16x converters running in via adat optical connections and the addition of a Switchcraft 9625 patchbay connected via DB25 cables.
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